Revolutions Per Minute Festival Review: “The Golden Age”
Hollywood is a system. That much is true today, and if in the past Hollywood has certain formulas for genre,… read more
Mountains and Mines at the Pordenone Silent Film Festival
by James Zeller This year’s edition of the Giornate del Cinema muto (Pordenone Silent Film Festival) featured a rare gem:… read more
“Tangerines” (2013) And Why You Should Watch Georgian Films
Zaza Urushadze’s Tangerines By Mariam Apkhazava I come from a very small country on the clasp of Europe and Asia,… read more
“Emily in Paris”: A Preposterous And Privilege-Ridden Take on “The American Girl in Paris”
Emily in Paris (2020-present) By: Merchys Diaz For people like me, who have never been to Paris, France, Netflix’s Emily… read more
“Last Night in Soho” A Horror Miss?
Edgar Wright’s Last Night in Soho (2022) By Hellora Silva Last Night in Soho had everything going for it: It’s… read more
Justice League Review
By: Maor Goihberg I originally intended to write a review of The Batman, but I realized that there are already… read more
Daniels’ Everything Everywhere All At Once (2022)
Daniels’ Everything Everywhere All At Once (2022) By Bobby Lovett Everything Everywhere All At Once lives up to its name… read more
If “Hot Mess” Was a Film
Luke Greenfield’s Something Borrowed (2011) By Merchys Diaz I used to be a real sucker for romantic comedies. I’m not kidding—in my… read more
Logic of the Crucible
By: Maor Goihberg He is in the depths of a nightmare. The sound of a police siren is slowly… read more
How “The Way We Were” Flipped the Script
Sydney Pollack’s The Way We Were (1973) By Merchys Diaz With so many popular films, TV series, and other content available… read more