Nadav Lapid’s “Ahed’s Knee” (2021)
By Maor Goihberg In the past few years, there have been many autobiographical (or semi-autobiographical) films released, perhaps due to… read more
Kathryn Bigelow’s “Point Break” (1991)
By Maor Goihberg Somehow, I have to unfortunately admit, I have never seen any of the John Wick movies. Despite… read more
Revolutions Per Minute Festival Review: “Bethlehem”
By Maor Goihberg In a recent interview with Indiewire, discussing his latest feature Bardo, Alejandro Iñárritu explained that “I… read more
Revolutions Per Minute Festival Review: “Curve the Night Sky”
I used to go out to nature a lot more frequently. A weekend car trip to a national or… read more
Revolutions Per Minute Festival Review: “The Deadman”
The 1980’s was an interesting time in American film history. On the one hand, the New Hollywood has ended, and… read more
Revolutions Per Minute Festival Review: “The Golden Age”
Hollywood is a system. That much is true today, and if in the past Hollywood has certain formulas for genre,… read more
Sign Up For Italian Cinema!
Interested in Italian film? Sign up for CINE 276 today! CINE 276L – Italian Cinema Meets Mon-Wed 12:00-1:50 PM An in-depth… read more
Are We Watching the Wrong Award Shows?
By Hellora Silva Despite award season being behind us now, there’s still a few things that I feel we should… read more
Actor Profile: A Look Into the “Mindy-Verse”
By: Merchys Diaz If I ever had the chance to meet Mindy Kaling in person, I would ask her how… read more
A (Mostly) Realistic Response to Fascism in “The Grand Budapest Hotel”
Wes Anderson’s The Grand Budapest Hotel By Kveten Nerudova I found a new character flaw a few weeks ago. I… read more