A (Mostly) Realistic Response to Fascism in “The Grand Budapest Hotel”
Wes Anderson’s The Grand Budapest Hotel By Kveten Nerudova I found a new character flaw a few weeks ago. I… read more
God in “The Prince of Egypt”
Brenda Chapman, Steve Hickner, and Simon Wells’ The Prince of Egypt By Gwendolyn Humphreys Let’s talk about why The Prince… read more
“Tangerines” (2013) And Why You Should Watch Georgian Films
Zaza Urushadze’s Tangerines By Mariam Apkhazava I come from a very small country on the clasp of Europe and Asia,… read more
“Emily in Paris”: A Preposterous And Privilege-Ridden Take on “The American Girl in Paris”
Emily in Paris (2020-present) By: Merchys Diaz For people like me, who have never been to Paris, France, Netflix’s Emily… read more
“Last Night in Soho” A Horror Miss?
Edgar Wright’s Last Night in Soho (2022) By Hellora Silva Last Night in Soho had everything going for it: It’s… read more
Justice League Review
By: Maor Goihberg I originally intended to write a review of The Batman, but I realized that there are already… read more
Daniels’ Everything Everywhere All At Once (2022)
Daniels’ Everything Everywhere All At Once (2022) By Bobby Lovett Everything Everywhere All At Once lives up to its name… read more
Is Seven Noir?
By: Maor Goihberg The term “neo-noir” is not used in the same way as it would be for other genres…. read more
Religions, Religious Practices, and Religious Spaces in “Rome” (2005) Season One
Bruno Heller’s Rome (2005) By Merchys Diaz Before many of us were able to rave about Game of Thrones, there… read more
If “Hot Mess” Was a Film
Luke Greenfield’s Something Borrowed (2011) By Merchys Diaz I used to be a real sucker for romantic comedies. I’m not kidding—in my… read more