Grossmann Gallery exhibit highlights the life and art of Theresa-India Young

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Black and white photo of Theresa-India Young

Theresa-India Young, circa 1972. Courtesy of the estate of Theresa-India Young.

A new exhibit in the Joseph P. Healey Library’s Grossmann Gallery highlights items from the Theresa-India Young collection. The exhibit is entitled The Life and Art of Theresa-India Young: Preserving African American Identity.

Join us for an opening reception on Wednesday, October 17, at 4:00 pm. The event is sponsored by the Joseph P. Healey Library at UMass Boston and the William Monroe Trotter Institute and will include remarks by Trotter Institute Director Barbara Lewis, Interim Dean of University Libraries Joanne Riley and by Meghan Bailey, Processing Archivist in the Healey Library and Project Director of the Research Inventory Grant Project funded by Mass Humanities.

Theresa-India Young was a fiber artist, interdisciplinary arts teacher, and education consultant working in the Boston area from 1975-2008. Young taught studio art and museum education at Massachusetts College of Art and Design, where a scholarship is endowed in her name. She also taught at the Museum of Fine Arts, Roxbury Community College, Boston Public Schools, Elma Lewis School of Fine Arts, Harvard University Museum, Cambridge Friends School, Lesley University, and Wheelock College.

Young was a mentor in her community, helping her colleagues and local youth claim their identities as artists and pursue opportunities related to those roles. She served as an advocate for her fellow artists at the Piano Factory Studios when rising rent threatened to displace resident artists.

Young mentored Boston youth by developing the Kush Club, a teen docent program, and managed Primal Arts, an educational consulting business that specializes in cultural presentations, art workshops, and museum tours. As a teacher and purveyor of cultural heritage, Young worked to preserve and maintain folk art traditions in her artwork, such as the Gullah heritage of basket weaving. Her work was informed by her research into African aesthetics and traditions, particularly weaving and hair braiding. She was also prolific in ceramics, European Tapestry, and ethnic weaving.

Visit the display in the Grossmann Gallery on the 5th floor of the Healey Library at UMass Boston. The Grossmann Gallery is open during the library’s regular hours: 7:30 am–10:00 pm on Monday through Thursday, 7:30 am–6:00 pm on Friday, 9:00 am–3:00 pm on Saturday, and 11:00 am–5:00 pm on Sunday. The exhibition will run through the spring of 2019.

Additionally, there’s an exhibition of Theresa-India Young’s work and work by recipients of the Theresa-India Young Scholarship Fund in the Thompson Gallery at MassArt, which was recently featured on WBUR.

Learn more about the Theresa-India Young papers here and view a finding aid for the collection here.

For questions about the exhibition, this collection, or to schedule a research appointment, please email library.archives@umb.edu or call 617-287-5469.

University Archives & Special Collections in the Joseph P. Healey Library at UMass Boston collects materials related to the university’s history, as well as materials that reflect the institution’s urban mission and strong support of community service, notably in collections of records of urban planning, social welfare, social action, alternative movements, community organizations, and local history related to neighboring communities.

University Archives & Special Collections welcomes inquiries from individuals, organizations, and businesses interested in donating materials of an archival nature that that fit within our collecting policy. These include manuscripts, documents, organizational archives, collections of photographs, unique publications, and audio and video media. For more information about donating to University Archives & Special Collections, click here or email library.archives@umb.edu.

Special Issue of New England Journal of Public Policy explores Euro-Mediterranean migrations

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Blue cover of New England Journal of Public PolicyThe most recent issue of the New England Journal of Public Policy is now available on ScholarWorks, the open access repository for scholarship and research at UMass Boston. The Special Issue on Migration is guest edited by Emanuela C. Del Re and explores issues of stability and sustainability in Euro-Mediterranean migrations.

In his editor’s note for this issue, New England Journal of Public Policy founder and editor Padraig O’Malley notes that “Emanuela del Re … has assembled contributions from prominent scholars, academics, and researchers from Europe, Africa, and the United States” to explore this issue’s theme.

The New England Journal of Public Policy has been published since 1985 by the John W. McCormack Graduate School of Policy and Global Studies at the University of Massachusetts Boston. After folding in 2006 due to financial constraints, the New England Journal of Public Policy resumed publication in 2013 as an online, open access journal. Full issues of the entire run of the New England Journal of Public Policy are available on ScholarWorks.

Apart from Del Re’s introduction and the editor’s note by O’Malley, who is also the John Joseph Moakley Distinguished Professor of Peace and Reconciliation at UMass Boston, this issue includes:

To view the full issue, and to explore back issues of this publication, click here.

ScholarWorks is the University of Massachusetts Boston’s online, open access institutional repository for scholarship and research. ScholarWorks serves as a publishing platform, a preservation service, and a showcase for the research and scholarly output of members of the UMass Boston community. ScholarWorks is a service of the Joseph P. Healey Library at UMass Boston.

Amesbury Mass. Memories Road Show materials available for research

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The photographs, stories, and videos gathered at the Amesbury Mass. Memories Road Show are now available online for research.

Black and white photo of Merrimac Hat employees

Merrimac Hat employees, 1947. ‘It represents many people who worked for years for the Merrimac Hat Corporation, including my father James F. Manning who is on the right of back row. They were on their way to the Durham Conference. Pictured, from back to front, left to right: Joe Charles, Phil Lees, Harlan Main, Bob Wilbur, James F. Manning, (front) Francis Smith, Lenny McDonald. Location: Cedar Street.’ Contributor: Elizabeth Dion.

 

Organized by the Amesbury Carriage Museum and the Amesbury Senior Community Center, the event was held at Amesbury High School on Saturday, April 21, 2017.  Collaborating partners included the Amesbury Public Library, Amesbury Cultural Council, The Whittier Home Association, Amesbury Lions Club, and Amesbury 350th Celebration Committee.

More than thirty local volunteers joined a team of UMass Boston staff members, public history graduate students, and “Roadies” to welcome nearly 100 adults and children with connections to this town on Boston’s North Shore.

Community participants contributed nearly 300 images spanning three centuries of history. Many photographs depict the everyday lives of Amesbury’s residents in the early 21st century, gathering for family celebrations, sharing memorable moments with friends, and enjoying the town’s natural landscapes, outdoor activities, and sporting events.

Launching the whale boat at Lowell's Boat Shop built by apprentices

Launching the whale boat at Lowell’s Boat Shop built by apprentices, 2013. ‘Executive director Graham McKay’s vision became reality as the apprentices successfully launched and rowed this boat that was commissioned by Mystic Seaport’s Charles W. Morgan. As part of this great award, I became the education outreach coordinator for the museum, a position I have loved by bringing students to learn local history.’ Pictured: the seven apprentices who built the boat. Location: Merrimack River.’ Contributor: Patty Hoyt.

 

The former mill town’s industrial development in the nineteenth and early twentieth centuries is also documented in the collection. Contributors shared images of antique homes, historic structures and monuments, and carriage, automobile, and other manufacturing in the downtown area as well as haberdasheries and shipbuilding operations along the banks of the Powow and Merrimack rivers.

Biddle and Smart factory floor

Biddle and Smart factory floor, early 20th century. ‘Carriage manufacturer, Biddle and Smart, factory where my grandfather worked. It was located on Chestnut Street. Pictured: (second from right, in overalls) my grandfather Edgar H. Gill and other unidentified workers.’ Contributor: Paula Parker.

 

Additional materials relate to Amesbury’s legacy of social reform and activism and its rich cultural heritage.  Contributors shared memories of a number of poets, artists, and writers who once inhabited the town, as well as stories of those residing and working there today.

Halt war. Portraits of Charles H. "Bud" Dolan.

Halt war, 2013. ‘The “Dear World Project” visited the area in 2013. I asked my dad, Charles Dolan, if he would like to be photographed to share a message with the world. He was usually a very private person but he quickly agreed, stating he knew what he wanted to say. This photo captures the intense emotions my dad held inside–from his experience as a young soldier in the infantry during the Battle of the Bulge in WWII. There is urgency, fear, anger and sadness in his face. We had never seen these emotions but he was ready to share his message with the world. In his words, “I look like I just came off the battlefield.” I some ways, he had. He never thought of himself as a hero–he was just lucky. Despite being a Bronze Star recipient, he has never felt comfortable or deserving of applause. At a ceremony in Newburyport, my dad received a standing ovation. He welcomed the applause and attention in a way uncharacteristic of him. This time, however, he was being applauded for his message–his beliefs. We all saw a difference in my dad afterward. He had finally come home from the war. RIP Charles H. Dolan 9/19/1923-8/14/2014. Pictured: Charles H. “Bud” Dolan, Sr. Location: Tannery.’ Contributor: Charlene Dolan.

 

Through their contributions to the archive, local community members expressed great pride in their community service and public institutions. Civic engagement, volunteerism, and involvement in local organizations feature prominently in the collection’s images and video testimonials.

 

George Edwin McNeil sign dedication

George Edwin McNeill sign dedication, 2016. ‘This sign is at the site of George E. McNeill’s birthplace. He was a work advocate and often called the “father of the eight-hour workday.” The Amesbury Improvement Association along with the McNeill family funded the renovation of a memorial plaque and created an historical sign. I am the president of the Amesbury Improvement Association. Pictured, from left to right: Roger McNeill, Carol McNeill, and unidentified members of the McNeill family. Location: George McNeill monument.’ Contributor: Anne Ferguson.

 

Browse the Amesbury Mass. Memories Road Show collection.

The Mass. Memories Road Show is a statewide digital history project that documents people, places and events in Massachusetts history through family photographs and stories. In partnership with teams of local volunteers, we organize public events to scan family and community photographs and videotape “the stories behind the photos.” The images and videos are indexed and incorporated into an online educational database. Since its launch, the project has gathered more than 10,000 photographs and stories from across the state. It is supported in part by the Patricia C. Flaherty ’81 Endowed Fund at UMass Boston.

University Archives & Special Collections in the Joseph P. Healey Library at UMass Boston was established in 1981 as a repository to collect archival material in subject areas of interest to the university, as well as the records of the university itself. The mission and history of UMass Boston guide the collection policies of University Archives & Special Collections, with the university’s urban mission and strong support of community service reflected in the records of and related to urban planning, social welfare, social action, alternative movements, community organizations, war and social consequence, and local history related to neighboring communities. To learn more, visit blogs.umb.edu/archives.

“I EMCEE What You Did There”: Join the Massachusetts Hip-Hop Archive for a free event this Saturday

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"I Emcee What You Did There" Hip Hop Event flyerWhat: “I EMCEE What You Did There” Hip-Hop Event

When: Saturday, September 15, 2018 | 1:00 p.m.-4:00 p.m.

Where: Boston Public Library, Central Library in Copley Square, 700 Boylston Street, McKim Courtyard

Boston Public Library and UMass Boston invite hip-hop enthusiasts of all ages to attend a free hip-hop event in the courtyard of the Central Library on Saturday, September 15, from 1-4 p.m.

“I EMCEE What You Did There” is the first in a series of hip-hop programs to take place at the Central Library and branches. Courtney Boston will host the event, with music by DJ Drew and performances by Red Shaydez, Mark Merren, First Lady Sarita, Sondro Castro, BYTC, Dasan Ahanu, and The Hangaz.  The event includes a live hip-hop Jeopardy game.

Additional hip-hop programs are scheduled for Saturday, November 10, at Teen Central at the Central Library, and at the Codman Square and Grove Hall branches in spring 2019.

“Boston Public Library welcomes artists and hip-hop enthusiasts to one of the Central Library’s most beautiful and inspiring spaces to celebrate Boston’s hip hop legacy and gather as a community to share experiences, both new and old,” said David Leonard, President of Boston Public Library. “I am grateful to UMass Boston, the National Endowment for the Humanities, and the Hip Hop & The Bostonians curating committee for their commitment to promote Boston’s intergenerational hip hop presence locally and beyond, while also preserving this important piece of living history.”

“As we continue to build a collection at UMass Boston related to the history of hip-hop in Boston and Massachusetts,” said Carolyn Goldstein, “we are pleased that this grant from the National Endowment for the Humanities is providing opportunities for Boston’s hip-hop artists to share the legacy of these four hip-hop elements—music, dance, DJs, and graffiti—with a broad citywide audience at the Boston Public Library’s Central and branch libraries.” Goldstein is the grant’s principal investigator and Public History and Community Archives Program Manager in the Healey Library at UMass Boston.

Since 2016, Boston Public Library and UMass Boston have been working together to preserve and share the history of hip-hop in Boston and Massachusetts. They continued their collaboration to expand awareness and access to the Massachusetts Hip-Hop Archive through a grant from the National Endowment for the Humanities and hosted the “Show ‘Em Whatcha Got” hip-hop digitization event on Saturday, May 19, at the Central Library. Attended by more than 200 members of the local hip-hop community, items collected for digitization included photos, clothing, videos interviews, and more, and will be available to view this month via openarchives.umb.edu. [Update: This collection is now online. Read more and view the digital collection here.]

The Massachusetts Hip-Hop Archive is a collective of creatives, hip-hop enthusiasts, innovators, and community and state organizations united by a common passion and purpose to provide resources and opportunities to Boston’s urban arts community. The Massachusetts Hip-Hop Archive includes a collection of almost 300 demo tapes featuring the biggest artists from Boston’s early hip-hop scene, which were digitized thanks to the support of the Boston Public Library. University Archives and Special Collections in the Healey Library at UMass Boston is currently working to expand the Massachusetts Hip-Hop Archive and welcomes donations of archival materials from musicians, DJs, breakdancers, graffiti artists, producers, promoters, and fans that will help document the rich heritage and legacy of hip-hop culture in Boston and Massachusetts. Download this flyer to learn more about what we collect.

Logo for National Endownment for the Humanities

This event is presented in partnership through Boston Public Library and the Joseph P. Healey Library at UMass Boston, and made possible by a grant from the National Endowment for the Humanities: Exploring the human endeavor. Any views, findings, conclusions, or recommendations in this program do not necessarily express those of the National Endowment of the Humanities.

University Archives & Special Collections in the Joseph P. Healey Library at UMass Boston collects materials related to the university’s history, as well as materials that reflect the institution’s urban mission and strong support of community service, notably in collections of records of urban planning, social welfare, social action, alternative movements, community organizations, and local history related to neighboring communities.

University Archives & Special Collections welcomes inquiries from individuals, organizations, and businesses interested in donating materials of an archival nature that that fit within our collecting policy. These include manuscripts, documents, organizational archives, collections of photographs, unique publications, and audio and video media. For more information about donating to University Archives & Special Collections, click here or email library.archives@umb.edu.

Ninety-nine years on: The 1919 Boston Police Strike Project moves forward

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Patrolmen attached to the Sixth Division, 1901 Boston Police Department Yearbook. At least one of these officers, Joseph O. Hodgkins, was a striker.

Patrolmen attached to the Sixth Division, 1901 Boston Police Department Yearbook. At least one of these officers, Joseph O. Hodgkins, was a striker.

It’s that time of year! Today marks the 99th anniversary of the 1919 Boston Police Strike. We are now only one year away from the centennial of the strike, and the 1919 Boston Police Strike Project is in full swing. Volunteer researchers are hard at work documenting the men behind the strike, bringing us closer to our ultimate goal: the launch of a database of striker biographies on September 9, 2019.

Last fall, students in Carolyn Goldstein’s History 620 Introduction to Public History and Public Memory graduate seminar explored strategies for commemorating the strike and for engaging public audiences in thinking about the strike and its significance from many perspectives. Their projects generated ideas to inform interpretive programs to accompany the database of striker biographies.

In the spring, we introduced a free and self-paced open education course to teach participants how to perform biographical research and fill out a Bio Research Worksheet. Doing Biographical Research: The 1919 Boston Police Strike Project is open to all, even those not interested in volunteering for the project. After completing the course, students may apply to contribute to the project as volunteer researchers. To date, more than 100 people have enrolled in the course, and community volunteers have started research on over 700 of the 1142 strikers.

Also this spring, Margaret Sullivan gave popular presentations about the strike at the New England Historic Genealogical Society and the Boston Public Library. Subsequent media coverage by the Boston Globe and WGBH’s Curiosity Desk helped spread the word and connect new audiences with the 1919 Boston Police Strike Project blog.

Visitors to the blog can check out the newest feature, a searchable list of strikers. Browse the list to see who participated in the strike and where they lived and worked, or view a single striker’s duty card.

To learn more about the project, visit the 1919 Boston Police Strike Project blog. Email bpstrike@live.umb.edu with any questions.

Save the date for a commemorative centennial event on September 7, 2019 at the Central Branch of the Boston Public Library in Copley Square.