Hidden in Plain Sight: African Women’s History Beyond the Archive (Part II)

By: Heidi Gengenbach        (Second of two parts. Here’s Part I)
 Wuxaka ra tinhwari hi ku handza swinwe.                            (Kinship among partridges comes from scratching in the soil together).[1]

Archives and oral traditions hold little information about rural African women’s history. How do rural women themselves keep track of the past? In Magude, a Shangaan-speaking district in southern Mozambique where I conducted research in the 1990s, women’s histories reside in places long invisible to scholars, but in plain view in everyday life.

(“Typical Thonga kraal in Gazaland”): A. M. Duggan-Cronin, The Bantu Tribes of South Africa: Reproductions of Photographic Studies (Cambridge, U.K.: Deighton, Bell, 1935), vol. 4, Henri P. Junod, The Vathonga (The Thonga-Shangaan People), plate 24.
Colonial-era anthropologists’ photos often captured women’s group activities (here, food preparation) as mere backdrop for “tribal” life. This photo (“Typical Thonga kraal in Gazaland”) appeared in H.P. Junod, “The Vathonga (The Thonga-Shangaan People),” in A. M. Duggan-Cronin, The Bantu Tribes of South Africa: Reproductions of Photographic Studies (Cambridge, U.K.: Deighton, Bell, 1935), Vol. 4.

Through their performance of tasks culturally defined as women’s work, rural women and girls carve out feminine social spaces where they create historical records with female actions at center stage. Using skills honed over centuries of specialized labor—as mothers, farmers, healers, artisans—they memorialize experiences that archives and formal oral traditions disregard. Academic historians have overlooked the evidentiary value of women’s “remembrances” (Shangaan: switsundzuxo), which take unconventional forms, defy disciplinary norms, and challenge the masculinist thrust of “official” stories. But without these sources, we not only lose the opportunity to glimpse rural women’s pasts; we also accept versions of history whose “truth” requires the exclusion of their knowledge.

As in the rest of southern Mozambique, men in Magude have been migrating to South Africa in search of mine work since the late 1800s. Known in precolonial times for its agricultural prosperity, droves of cattle, and bustling trade, Magude became in the 20th  century an increasingly impoverished labor reserve, whose patrilineal kinship and marriage rules pressured women to remain on the land and sustain communities in men’s absence. The limited archival evidence on these women falls into one of two categories: it either depicts them as powerless, dutiful appendages of their husbands and male kin, or it vilifies the minority of women who “abandoned” their marital homes and fled the countryside to live in town. Free from the “misery” and (according to European commentators) moral constraints of rural life, so-called “town women” earned money on the margins of the colonial economy, making their way as market traders, food vendors, prostitutes, or—for the fortunate few—low-paid factory labor. In the records of the colonial state as in scholarship relying on archives alone, rural women are the faceless, unchanging background to these events, toiling on in worsening poverty and helpless to improve their lot.

Lili Xivuri with her grandson, Tlhongana, Phadjane (Magude district), January 1996.
Lili Xivuri with her grandson. Phadjane, Magude district, January 1996.  © Heidi Gengenbach, 1995. Courtesy of author.

But rural women’s own accounts tell a surprisingly different story. In Lili Xivuri’s version of her family history, for instance, she refashions the Shangaan tradition of the clan praise song to foreground beer-drinking, marriage choices, soil selection, and common household objects (baskets, mats, awls), instead of the usual themes of chiefly politics or war.[2] The designs female potters “write” on their clay vessels, on the other hand, document women’s experiences of long-distance overland travel and trade.

Magude potters once used naturally-occurring red ochre to make colored glaze.
Women used to dig locally for red ochre (an earth pigment) to make pottery glaze. Here, a potter uses black glaze made from the manganese oxide powder inside a manufactured C-size battery. Facazisse, June 1995. © Heidi Gengenbach, 1995. Courtesy of author.

In the early 1900s, women such as Cufassane Munisse walked for days at a stretch to exchange her pottery for baskets of grain (or vice versa), visiting female kin and friends spread throughout southern Mozambique and in neighboring South Africa. In the course of this regional trade, potters also spread new vessel styles and decorating techniques, defying European stereotypes of rural women’s passivity, home-boundness, and resistance to technological change.

By the 1940s, female body-marking practices show that women in Magude were anything but passive victims of male migrancy and Portuguese rule.

Example of women’s cicatrized tinhlanga from early 20th-century southern Mozambique.
Example of women’s cicatrized tinhlanga from early 20th-century southern Mozambique. Source: E. Dora Earthy, “On the Significance of the Body Markings of Some Natives of Portuguese East Africa,” South African Journal of Science 21 (1924): 586.

Tinhlanga, the cicatrized patterns with which girls and women had adorned their bodies for centuries, offered a powerful medium for contesting the colonial hierarchies that threatened to divide women in new ways. Whether it was Christian missionaries offering literacy in exchange for rejecting “uncivilized” customs such as body-marking, or manufactured consumer goods accessible only to the most successful migrant workers, girls and women appropriated the power of these intrusions by incorporating them into new tinhlanga techniques and designs.

Incised tinhlanga popular in the 1940s-50s mix old and new designs: museve, the ancient chevron pattern; xitlhangu, the shield used by 19th-century Gaza Nguni conquerers of southern Mozambique; xinkwahlana, gecko or lizard; xikero, metal scissors.
An elderly woman’s remarkable array of body art includes geometric cicatrizations along with needle-ink designs depicting the Blue Cross logo, manufactured flower pots, writing, and instant coffee (“Coffe,” the name of the person who gave her this tattoo).

Older women who had once cicatrized girls’ skin with sharp stones or acacia thorns and ash took up imported shoe polish and sewing needles to create tinhlanga depicting the new commodities trickling into the countryside: scissors, flower pots, tins of Blue Cross condensed milk.

Surely aware of the irony, schoolgirls used the blouses and skirts missionaries insisted they wear to conceal prohibited tinhlanga, risking corporal punishment.

Valentina Chauke, Facazisse (Magude district), March 1996.
Valentina Chauke, Facazisse (Magude district), March 1996.

A few, such as Valentina Chauke, rebelled more openly, inscribing the letters of their xilungu (European) name on their forearms.

Unconcerned with missionary rules, adult women flaunted the “modern” images emblazoned on their skin, declaring that they were “civilized” too.

The memories women inscribed in their crop fields entered a higher-stakes public domain. Agricultural labor occupies most women here from dawn to dusk, and provides the bulk of household food supply. Although traditional land tenure rules give men the authority to allocate plots, in practice most women choose their own farming sites, and they lend, borrow, and transfer land among themselves as needed. They document these informal transactions in the boundaries (mindzelekana) they “scratch” in the soil around their fields—faint, squiggly lines whose location everyone can guess, but only adjacent field owners know with certainty. As long as there is enough land for all, this system causes few problems. But during the civil war (1976-92), when the stationing of government troops in Magude town (the district capital) made the area a magnet for displaced families, competition for land intensified. By the mid 1990s, acute land scarcity and the diminishing size of subdivided plots drove some desperate women to “steal mindzelekana,” surreptitiously redrawing boundaries to increase their cropping area.

A typical field border in Facazisse, a rural community outside Magude town where land competition became especially fierce in the early 1990s.
A typical field border in Facazisse, a rural community outside Magude town where land competition became especially fierce in the early 1990s.

Victims’ threatening response to this transgression—“I will bury you in the border!”—and the death by poisoning of several suspects made clear that mindzelekana were far more than just lines in the dirt. Field boundaries recorded agreements among women for whom every inch of cultivable ground was a precious resource, with life-or-death significance in wartime. Erasing these negotiated divisions undermined female authority and the bonds of women’s “cultivating kinship,” while challenging mindzelekana’s important memory work: reminding women of their shared responsibility for community survival.

Magude women’s practices of record-keeping preserve and pass on facts of the region’s past that would remain unknown to historians if we neglected the world of evidence beyond archives and official stories. But is such evidence relevant to researchers outside southern Mozambique? At the very least, it proves that historians don’t always need a paper trail; that important history-telling can happen without writing, even without words; and that gendered people leave gendered traces of their lives, if we know where to look.

Heidi Gengenbach (right), Assistant Professor of History.
Heidi Gengenbach (right), Assistant Professor of History.

Heidi Gengenbach is Assistant Professor of History at UMass Boston. Her doctoral dissertation received the Gutenberg-e Electronic Book Prize from the American Historical Association, and was published by Columbia University Press (Binding Memories: Women as Tellers and Makers of History in Magude, Mozambique) in 2005. Her second book project, Recipes for Disaster: Gender, Hunger, and the Remaking of an Agrarian Food World in Central Mozambique, 1500-2000, will be published by Ohio University Press.

References

[1] Armando Ribeiro, 601 Provérbios Changanas (Lisbon, 1989), 116.

[2] Interview with Lili Xivuri, 29 June 1995, Phadjane, Magude District.

Hidden in Plain Sight: African Women’s History Beyond the Archive (part 1)

By Heidi Gengenbach            (First of two parts. Here’s Part II)
Avavumbeli mbita eku cukumeta.
(Potters don’t fashion clay into a pot just to throw it away.) 
[1]

How do historians study people who left no written traces of their life, no paper trail hinting at who they were or what they accomplished? Questions of “truth” and “fact” suddenly dominate American politics and news media. But debates about how we know what we know, about the reliability of the evidence behind claims we make about the world, are as old as history-telling itself, and they haunt historians every day. It is difficult enough to reconstruct someone’s past from the documentary fragments we unearth in public and private archives. When no such records exist, when people leave no evidence behind, can—or should—historians pay attention to their lives at all?

Map of Africa, 2011.
Political map of Africa, 2011.

Today, in the 48 nations of sub-Saharan Africa, over 50% of adult women ages 15 and up—nearly 250 million women—lack basic literacy skills.[2]

During the millenia of human history before 1900, when most African cultures relied on sophisticated oral rather than written forms of communication, the number of writing women was truly minute. As happened during the peaceful spread of Islam into Africa from the 7th century on, European missionaries and colonizers brought writing skills to the parts of the continent they occupied or conquered between the 15th and 20th centuries. In the 18th and 19th centuries, some liberated African slaves who had converted to Christianity in the Americas similarly introduced literacy when they returned to Africa, sometimes as missionaries themselves. But African girls had limited access to the Quranic and Western-style Christian schools these men established. And because the colonial state ignored “native” women unless they broke the law, appeared in court, or engaged in political protest, neither European officials nor the male African clerks who did much of their record-keeping documented women’s ordinary activities or opinions.

Rosalina Malungana and her great-granddaughter Nestacia, weeding Rosalina's field, Facazisse (Magude district), March 1996. © Heidi Gengenbach, 1996.
Rosalina Malungana and her great-granddaughter Nestacia, weeding Rosalina’s field, Facazisse (Magude district), March 1996. © Heidi Gengenbach, 1996. Courtesy of author.

The lives of rural women, especially, escaped the notice of Europeans, who lumped them together derisively as “peasants” or “beasts of burden.” In colonial eyes, rural African women were less troublesome than their sisters in the urban “educated elite,” but less deserving of attention too.

In other words, the vast majority of sub-Saharan African women in the past possessed neither the means to write about their experiences, nor the power to be represented fairly in the written archives of their place and time. And while the continent’s wealth of oral traditions—performed narratives that recount past events and are transmitted across generations—offer another body of evidence, women seldom appear as speakers or subjects in these histories either.

There are some exceptions, but in most African oral chronicles women’s voices and deeds are sidelined by patriarchal cultural norms and a gender division of labor that assigns women the arduous work of subsistence, leaving them too socially marginal (and too busy) to challenge the public histories their menfolk tell.

Map of Mozambique
Map of Mozambique.

Given women’s absence from traditional written and oral accounts of Africa’s past, it might seem that their lives—and African women’s history as a whole—must be hopelessly beyond our reach.

In the rural communities of Mozambique where I have been working since the 1990s, the devastation wrought by Portuguese colonial rule (1895-1975) and protracted independence and civil wars (1965-75, 1976-92) further complicates research on women’s history.

In addition to the spottiness, racism, and sexism of colonial archives, and the androcentrism of oral traditions, the scars from nearly 30 years of violent displacement and traumatic loss—of family, belongings, homes—can make it exceptionally difficult to interview women about their experiences.

Battle-scarred shell of a commercial building outside Mapulanguene (Magude district), September 1995. © Heidi Gengenbach, 1995. Courtesy of author.
Battle-scarred shell of a commercial building outside Mapulanguene (Magude district), September 1995. © Heidi Gengenbach, 1995. Courtesy of author. Returning refugees blamed the absence of roofs, doors, and windowpanes from most abandoned structures in Magude on Renamo soldiers, who were said to have stripped buildings for useful materials when they occupied Mapulanguene during the war.

Too many elders did not survive the civil war, leaving a generation of youth bereft of the knowledge their grandparents would have taught them.

Memories of brutal conflict, particularly the atrocities committed against civilians by Renamo rebels, can be too painful to speak aloud.

Magude residents accompanying author to Renamo base camp at Ngungwe (Magude district) to visit displaced relatives, November 1995. Author photo.
Magude residents accompanying author to Renamo base camp at Ngungwe (Magude district) to visit displaced relatives, November 1995. © Heidi Gengenbach, 1995. Courtesy of author.

Girls and women suffered both wars in distinctly gendered ways, including rape and sexual enslavement but more commonly by shouldering the burdens of food provisioning, childcare, care for the sick and elderly, and ritual mourning of the dead—often while on the run as “internally displaced persons” or refugees in neighboring countries.

Government tank burned by Renamo forces in a 1987 battle near their Ngungwe base camp, on the South African border, November 1995. © Heidi Gengenbach, 1995. Courtesy of author.
Government tank burned by Renamo forces in a 1987 battle near their Ngungwe base camp, on the South African border, November 1995. © Heidi Gengenbach, 1995. Courtesy of author.

A person’s understanding of the past can’t help but change in such harrowing times. Post-war grief and nostalgia, and the urgent need to rebuild shattered communities, also raise the stakes of remembering “correctly,” while discouraging memories—of injustice, victimization, betrayal—that distract from the business of moving on. How does one analyze women’s testimony in these circumstances, let alone separate “truth” from nightmare?

Part II explores these questions next week.

Heidi Gengenbach (right), Assistant Professor of History.
Heidi Gengenbach (right), Assistant Professor of History at Umass Boston, teach in the field, 2008. Courtesy of author.

Heidi Gengenbach is Assistant Professor of History at UMass Boston. Her doctoral dissertation received the Gutenberg-e Electronic Book Prize from the American Historical Association, and was published by Columbia University Press (Binding Memories: Women as Tellers and Makers of History in Magude, Mozambique) in 2005. Her second book project, Recipes for Disaster: Gender, Hunger, and the Remaking of an Agrarian Food World in Central Mozambique, 1500-2000, will be published by Ohio University Press.

References

[1] Henri P. Junod, The Wisdom of the Tsonga-Shangana People (3d ed. Braamfontein: Sasavona Books, 1990), 162-3.

[2] Literacy data from the World Bank which currently estimates the population of Sub-Saharan Africa as 974.2 million, with women comprising 50% of the total. http://www.prb.org/Publications/Reports/2016/economic-growth-equity-ishrat.aspx