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The Peaceful Gardener: Rose Standish Nichols & the Peace Movement (Part II)

By Corinne Zaczek Bermon

To learn about how her family and tutors influenced Rose Nichols, read Part I.

In this second post exploring the world of Rose Standish Nichols, we begin with those who impacted her life and end with her tutelage in landscape architecture.

Rose Nichols was highly influenced by her parents, Arthur Howard Nichols and Elizabeth Homer Nichols, and her two younger sisters, Margaret and Marian, as they grew into adulthood.  Arthur Nichols grew up in Boston’s North End; he graduated from Harvard College in 1862 and Harvard Medical School in 1866.  Arthur Nichols did not grow up in a Brahmin family, but rather as part of the well-educated middling class.  His entrance into Harvard College allowed him to enter into the upper class, by facilitating his marriage into such a family. Arthur Nichols loved to travel in Europe, a passion he passed onto Rose, and as a single man, he continued his medical studies in Paris, Vienna and Berlin.  In 1869, he married Elizabeth Fischer Homer from the prominent Homer family in Roxbury Highlands,

The Nichols House Museum in Beacon Hill

The Nichols family home, now a museum.

Massachusetts.  Arthur became a renowned holistic doctor in Beacon Hill, practicing in the family home at 55 Mount Vernon Street and for several decades was the “summer doctor” at Rye Beach, New Hampshire, where the family spent their summers before buying a home in Cornish, NH.((B. June Hutchinson, “Macdaddy Doodadle, Doodadle Macdade, Mactaddy Doddadle Day” The Nichols House Museum and Archive. http://www.nicholshousemuseum.org/pdf/nichols_family/macdaddy_doodadle.pdf.))

Aside from her parents, Nichols tutors in landscape design also influenced her social activism.  Nichols was only eighteen when her family bought their summer home and from the very beginning, Nichols’ uncle, the famous sculptor Augustus Saint-Gaudens, pushed his favorite niece to take up garden design after admiring the walled

garden she created at the Nichols’ Cornish, NH summer home, dubbed Mastlands, in the Cornish Colony.  In 1889, after the family had purchased Mastlands, Saint-Gaudens introduced Rose to Charles Platt, a self-trained architect and landscape architect. Platt was one of America’s most influential 20th century designers and was influential in the emergence of the style Beaux-Arts, which Nichols favored throughout her career.((Cynthia Zaitzevsky, Long Island Landscapes and the Women Who Designed Them (New York: WW Norton &Company, 2009), 200-203.))  Along with Saint-Gaudens, Platt encouraged Nichols to travel the world and study gardens in many European countries. Studying with Platt led Nichols to study drafting and lessons in horticulture from Benjamin Watson at the Bussey Institute at Harvard, located adjacent to the Arnold Arboretum in the neighborhood of Jamaica Plain.  At the Bussey Institute, Nichols was encouraged to study in Paris at Ecole des Beaux-Arts.

Perhaps the most influential of her landscape design mentors was H. Inigo Triggs in London.  Rose set sail on the SS New England on 27 February 1901 for Liverpool, England with friend, Ellen Cushings and traveled to London to become Triggs’ apprentice.((Arthur Howard Nichols papers, Massachusetts Historical Society.))  Triggs, already an acclaimed landscape architect by the time Nichols joined him in London, had built his career on designing formal gardens and

Copy of the Nichols' first book on gardening, English Pleasure Gardens.

Copy of the Nichols’ first book on gardening, English Pleasure Gardens.

country houses and specialized in historical research to re-create gardens of the past.  During her tenure with Triggs, Rose Nichols finished her research and wrote English Pleasure Gardens, published 19 November 1902.((Ibid.))

It was under Triggs that Nichols began to connect landscape design and city planning to her vision of world peace.  Triggs gave a brief review of the great awakening throughout the world in city development in his book, Town Planning, Past, Present and Possible, which he was working on from the time Nichols apprenticed with Triggs until its publication in 1910.  Triggs gave special consideration to small parks, claiming that peaceful public spaces led to a peaceful state of mind for city dwellers.((H. Inigo Triggs, Town Planning: Past, Present and Possible. (London: Methuen & Co, 1910), 12-15.))  Triggs, himself a pacifist, instilled in his pupil the idea that the promotion of peace did not only have to come in the form of marches and campaigns but through the designing of landscapes, parks and gardens. When Nichols returned from her apprenticeship with Triggs in June 1903, she had adopted this idea, and over the next fifteen years she would use this principle as a way to promote her peace agenda in Europe. In the same year of her return, Nichols became the first woman listed under the heading of “landscape architect” in the Boston City Directory,  and she kept an office at 5 Park Street downtown while she began traveling between New York, Boston and Chicago working on various projects.  Early in her career, Nichols received commissions in Lake Forest, Illinois; Boston; Massachusetts; Long Island, New York; and Newport, Rhode Island. Her reputation grew and she worked in more distant areas such as Milwaukee, Wisconsin; Augusta, Georgia; Tucson, Arizona; and Santa Barbara, California by the 1920s.  Her work was especially valued by her patrons in the Southwest, since her travels to arid Spain in her youth and with the Women’s International League for Peace and Freedom  gave her a special knowledge in solving problems that were inherent to making a successful garden in a desert.((Mary Bonson Hartt, “Women and the Art of Landscape Gardening,” The Outlook, vol 88, No 13, (March 28, 1908), 702. https://books.google.com/books?isbn=078648733X))

In the next segment, we will learn about Rose Nichols’ work in the Woman’s Peace Party and WILPF during and after World War I.

To learn more about Rose Standish Nichols, visit the Nichols House Museum and take a tour!

Corinne Zaczek Bermon is earning her M.A. in History with a specialization in Archives. She earned a B.A. in American Studies in 2009 and a M.A. in American Studies in 2015 from University of Massachusetts Boston. This series of articles on Rose Standish Nichols represents her award winning research in American Studies. Currently, her work explores the social history of the Otis Everett family living in the South End of Boston in the 1850s. She is designing a digital exhibit that explores Victorian life for the merchant class conducting business in Boston and abroad through the Everett letters.

FROM THE CITY TO THE SUBURBS: VOLUNTARY SCHOOL DESEGREGATION THROUGH BOSTON’S METCO PROGRAM

By: Corinne Zaczek Bermon

In 1974, a young boy named Kevin Tyler stepped off his bus on the first day of school.((Name changed as request of former METCO student.)) As the Kevin looked out at the area surrounding his new school, he could only think that everything was foreign and weird. Although he was only ten miles from home, the Roxbury native thought that suburbia was another world. Gone were the noises from the street and common spaces and in their place were fences, private backyards, and white faces. Although it smelled cleaner, it wasn’t exactly pleasant to Kevin as the fresher air “felt weird to [his] nose.”  The white students around him sounded strange and bland when they spoke, not in the expressive style he were used to in Roxbury. But even on his first day of school, Kevin could see that life in the suburbs was easier, charmed even.((Susan Eaton, The Other Boston Busing Story: What’s Won and Lost Across the Boundary Line (New Haven: Yale University Press, 2001), 218-219.))

Cover of the METCO information pamphlet.

Pamphlet for parents about the METCO program. Image courtesy Northeastern University Archives & Special Collections.

Many METCO students experienced a disconnect after they disembarked the buses that brought them to their suburban schools. Perhaps more profoundly than anyone, these young students saw the consequences of the deep racial and class divide that characterized Boston. The suburbs may be close geographically to the metropolitan area, but as Robert observed, they were worlds apart.

So how did students of color end up at schools in the suburbs? As we have passed the fortieth anniversary of busing for school desegregation, it is important to note, that voluntary busing existed before Morgan v. Hennigan mandated it, and still exists today as the Metropolitan Council for Educational Opportunity or, as it is commonly know, METCO.

Even after the 1954 Brown v. Board of Education decision, which determined that segregated education was inherently unequal and in violation of the Fourteenth Amendment, de facto segregation remained prevalent in both the northern and southern US schools. In 1967 the U.S. Commission on Civil Rights released a pamphlet titled “Schools Can Be Desegregated,” which made several statements regarding segregated schools in the US:

  1. Racial isolation in the public schools is intense and is growing worse.
  2. Negro children suffer serious harm when they are educated in racially segregated schools, whatever the origin of that segregation. They do not achieve as well as other children; their aspirations are more restricted than those of other children; and they do not have as much confidence that they can influence their own futures.
  3. White children in all-white schools are also harmed and frequently are ill prepared to live in a world of people from diverse social, economic, and cultural background.((U.S. Commission on Civil Rights, “Schools Can be Desegregated” (Washington, D.C.: Clearinghouse Publication No. 8, June 1967) 1.))
A Bird's Eye View from Within-As We See It by the staff and board of Operation Exodus

“A Bird’s Eye View from Within – As We See It,” report on Operation Exodus, 1965. Image courtesy Northeastern University Archives & Special Collections. Full report online.

Faced with the unresponsive and all-white Boston School Committee’s stance towards de facto segregation in Boston schools, concerned parents and activists founded “Operation Exodus” through Roxbury’s Freedom House in 1965 as a voluntary way to desegregate Boston Public Schools. In its first year, 400 African American students from Roxbury and Dorchester were bused to the predominantly white, but under enrolled, Faneuil School in Back Bay. In 1966, Operation Exodus was renamed the Metropolitan Council for Educational Opportunity (METCO). Immediately, Black students faced the problem of how to address race while part of an expressly integration-based program. As Susan Eaton, Ed.D., expert in racial and economic inequality in public education, discovered, “neither [black nor white students] talked to the other about race – the very thing that appeared to be separating them. As a result, race frequently felt to the black students like a family secret. To keep life going smoothly, everyone compliantly locked the race subject away. It was too potent to open, to delicate to touch.”((Eaton, 81.)) The attitude towards race as a subject to be avoided in some ways reflected the outcry against METCO in the city.

The Metropolitan Council for Educational Opportunity, Inc. program created controversy in nearly every town to which it bused black urban students.

Photograph of black and white students sitting together in a classroom in Boston, circa 1973. Image courtesy of Boston City Archives.

While some suburbanites welcomed the program as a way to expose their children to a more diverse group of classmates while also assisting underprivileged urban students, others did not focus on the ideological mission of METCO. Instead, they considered the financial costs of the program, the potential negative impact on schools, and the needs of their own children to be more important than minimally integrating their school systems. Others accused METCO of reverse racism for primarily busing African American students rather than poor white students. During the 1970s busing crisis within Boston, the program exposed divisions and resentments between suburbs and the city and within the suburbs themselves. Many began to question the value of integration as well as its effectiveness. With the potential costs to each town and to each taxpayer, residents of both the city and suburbs wondered, was the ideological goal of integration a worthwhile endeavor?

The online exhibit, “Metropolitan Council for Educational Opportunity (METCO): Solving Racial Imbalance in Boston Public Schools,” created by graduate students Kristin Harris (MA American Studies, 2015) and Corinne Zaczek Bermon (MA American Studies, 2015; MA History Archives Track, 2017) explores the founding of the organization and the effects it had as a voluntary busing program rather than the controversial “forced busing.”

Using the METCO collection at Northeastern University, Harris and Bermon combed through nearly 144 boxes to find the story of METCO. They hand selected documents that highlighted the difficulties METCO had in funding despite support from the Board of Education and how parents stayed involved in the program through parent councils to keep their children safe and in the program.

This exhibit tells the story of the other side of the busing crisis in 1974-1975. Despite the ongoing violence and intimidation happening in city schools such as South Boston High School and Charlestown High School, METCO students had been quietly and determinedly attended suburban schools through their own busing program. Their stories counteract the narrative that all student busing for desegregation was fraught with protests and violence. The METCO program today still serves as a model for the country as to how to racially balance schools.

Visit the full exhibit to read more about METCO’s beginning and see how parent councils were involved closely with the host schools.

Living a Changed Life

By: Corinne Zaczek Bermon, Historian and Archivist in the Making

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Corinne Zaczek Bermon Historian and Archivist in the Making

 

It was natural for me to fall into the wine business after growing up amongst the vines in the Finger Lakes region of New York State. I paid my way through college by standing behind a bar and loved to talk about wine regions, wine varietals and food pairings. Between my bar experience and being trained as a sommelier, it was certainly an easy transition to marketing and public relations for a local company after I graduated with an American Studies BA from UMass Boston. I spent my days tasting wine, writing about it, designing newsletters and advertisements, and blogging. Knowing my privilege as a good wine writer and an expert in the field, I happily traveled around the globe interviewing winemakers and having private tastings in their cellars while freelancing for magazines on the side. While I loved the world that I was in, I knew something was missing. I came to realize that I concentrated more on the history of wine and wineries when I researched and wrote and less about selling the wine to would be buyers.

That was when I knew it was time for a change.

When I graduated from UMass Boston, I left with an overwhelming feeling that I had not had enough. I registered and graduated in 3 semesters with all the transfer credits I had accrued. American Studies intrigued me because it combined my love of American history while looking at aspects that are left out of the master narrative such as race, class and gender. It struck me that I was not done with American Studies and I made the decision to apply to the graduate program.

So now I spend my days studying early 20th century history’s intersections of gender and class and urban history. I am currently working on my thesis for graduation entitled “The Activist Gardener: Rose Standish Nichols in the National and International Movement of Peace, 1915-1945.” Focusing on one Boston woman’s work, Rose Standish Nichols, I will bring to light the national and international networks women formed in the peace movement while bringing Nichols back into her rightful place in history as a founder of the long-standing Women’s International League of Peace and Freedom, while continuing her career as a world-renown landscape architect.

While starting my second year of grad school, I found a second love: archival studies.  Archiving represents for me the practical use of my knowledge in history.  It’s hands on and always moving forward with the use of digital tools. For my digital project on the history of Boston desegregation, I hoped to be able to bring an interactive mapping tool that would give this project a sense of place and bring the different neighborhoods affected by bussing into focus for non-Bostonians and Bostonians alike.

I only drink wine now for pleasure and not my job. I still accept some freelance jobs because, let’s face it, graduate students need money and freelancing pays.

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