2017 – Page 7 – Public History at UMass Boston

February 16, 2017Heidi Gengenbach 1 Comment

Learning from the Clothes that Haverhill Wore: A Semester at the Haverhill Historical Society

By Rachel Sherman

During the Fall 2016 semester, I worked as an intern in both curatorship and collections management at the Haverhill Historical Society under Janice Williams. The Haverhill Historical Society serves as the historical center for the area of Greater Haverhill and the Merrimack Valley (Massachusetts). Occupying “The Buttonwoods” mansion originally bequeathed to the historical society in 1903, the Haverhill Historical Society collects and exhibits items relating to the area’s culture and history. These items once belonged to Haverhill residents and include numerous textiles ranging from quilts to costumes.

Figure 1: The John Ward House, owned by the Haverhill Historical Society. This house currently resides on the Buttonwoods Property. Picture taken by Rachel Sherman (2016).

From the beginning of my graduate career, I knew that I wanted to gain experience in a small historical institution like the Haverhill Historical Society. They needed the help. Now more than ever, historical societies need to be more organized, user friendly, and publicly accessible in order to stay relevant. Unfortunately, many of these organizations are run by small staff, infrequent volunteers, and the occasional intern. Despite this reality, the Haverhill Historical Society strives towards making themselves more accessible. This determination and dedication attracted me to intern at the Haverhill Historical Society.

My internship contributed the Haverhill Historical Society and their mission to modernize. They have been working on a ten-year long project to digitally catalog their collections, working to connect the items to Haverhill history. My job was to use their cataloging system, PastPerfect, to assess the condition of and digitally catalog a certain number of hanging costumes. I was also tasked with creating an informational “Intern’s Pick List.” The list includes costumes I felt were important to understanding Haverhill’s history and will be added to the Haverhill Historical Society’s website alongside the Curator’s Pick List.

Every historical institution, whether they are a small historical society or a large museum, has its own process for cataloging items; however, almost all institutions require the same general skills in approaching their items. From my experience, I present a small list of what I learned while interning at the Haverhill Historical Society.

Figure 3: Ninteenth century men’s robe, donated by the F.O. Raymond Estate. Fred O. Raymond Sr. lived and raised his family in Haverhill, serving as the Deputy Sheriff of Essex County from 1870 until his death in 1901. Object owned by the Haverhill Historical Society. Picture taken by Rachel Sherman (2016).

Always check the pockets: This is meant both figuratively and literally. During my investigation into a nineteenth century robe, I conducted my usual condition assessment, placed a new accession number tag, and proceeded to bring the costume back to its home. As I held the costume, I felt something in the left pocket I did not notice before. I carefully looked to see what was inside the pocket, and found a little envelope from the Haverhill Historical Society in the early twentieth century that also included written names. This fun little discovery helped me identify the history and the provenance of the robe. From

then on I checked every pocket I encountered. Look at every angle of what you are working on; you never know what you are going to find in the most obscure places.

Dig a little deeper: Researching can lead someone down a rabbit hole, and through this internship I went down several! One such rabbit hole involved genealogical work. My first day of working with the collection, I cataloged a wedding dress belonging to an Augusta Merryman of Maine donated by a Mrs. Daniel Hunt of Haverhill. Curious about the relation between the two women, I turned to census records to see if the women shared a family. After working backwards through fifty years of census records, I connected the dots and found that Augusta Merryman (whose first name was actually Lydia) was Mrs. Daniel Hunt’s aunt. Therefore it helps to dig a little deeper into the records to find connections to the past.

Use every available resource: See everyone and everything as a resource. While cataloging a men’s suit, I came across the name William C. Glines. Upon researching the name, I quickly learned that Haverhill housed more than one William C. Glines. After a period of frustration, I decided to ask the curator for assistance. Meanwhile, Mary Ann, a fellow volunteer on the textile collection, overheard our conversation and chimed in about her own object. It turned out that not only did she know the Glines family, but that she finished working on an object donated by a William Cheney Glines, aka William C. Glines. From then on, Mary Ann continued to be a valuable resource for both understanding some of the Haverhill families I encountered in my research and in understanding fashion jargon.

Step outside of your comfort zone: Try something new. This internship allowed me to work hands-on with a collection that needed some TLC. From taking on a subject I knew little about, I learned not only collections management techniques, but also skills uncommon with a history-based internship. Through this internship, I learned basic sewing. Before, I could barely thread a needle, and now I can at least sew a label onto a costume. I advise anyone to step out of her comfort zone; you never know what you will learn.

Apply what you already know: This item should come to no surprise. While examining an early nineteenth century dress coat, the gilded brass buttons stood out among the navy blue wool exterior. Upon looking at the buttons, I noticed that each one featured a peculiar bald eagle. Although I do not know the history of buttons, I did know from previous undergraduate research that the eagle shared a similar motif to the furniture of the American Classical Style (1820s-1840s). This similarity aided in narrowing down the age of the buttons—the mid to late 1830s. It may seem silly, but I used my knowledge of aesthetics, compared buttons to furniture, and it paid off.

No matter your internship, whether it is working with a collection or other, the skills you learn from an internship apply to more than just the task at hand. From reading about my own experience, you, the reader, will hopefully gain a better understanding of what you may encounter on your own internship journey.

February 14, 2017Heidi Gengenbach No Comments

Mapping Divisions & Historic Decisions: The Road to Desegregating Boston Public Schools

Political cartoon, 1954. Image courtesy of the Albert and Shirley Small Special Collections Library at the University of Virginia. Reproduction not permitted without prior permission, in writing, from the Albert and Shirley Small Special Collections Library.

On Valentine’s Day, 1974, the Boston School Committee received a crushing rejection. Its appeal to the U.S. Supreme Court to repeal the Massachusetts Racial Imbalance Act was denied on two grounds: the deadline to file had expired and the Committee’s appeal had “no substantial basis.”(1)

Established in 1965, the act empowered the state Board of Education to investigate and reduce racial inequality in public schools. Perhaps the strictest racial balance legislation among the states, the act defined racial imbalance as any school in which the number of nonwhites exceeded 50% of the total population. For nearly a decade, the Boston School Committee and the state Board of Education argued bitterly over the definition of racial imbalance and the means of implementing a more integrated public school system.

In 1972, the Massachusetts Board of Education accused the Boston School Committee of repeatedly refusing to institute any measures to integrate its schools, many of which were heavily segregated according to the act’s definition. After the state suspended funding to Boston Public Schools, the School Committee launched a series of legal battles to repeal the Racial Imbalance Act and recover state funding for city schools.

The NAACP also initiated legal action in the federal court system. It charged that, by not complying with the Racial Imbalance Act, the Boston School Committee violated the Fourteenth Amendment and the 1964 Civil Rights Act. In the digital exhibit, “Busing Boston Bound: Phase I of Desegregation in Boston, Massachusetts,” Rebecca Carpenter, a graduate student in the Archives program, explores the impact of the Morgan v. Hennigan decision.

Cover of booklet, "Make Congress Stop Bussing," [sic], by Lawrence P. MacDonald, April 1976. Reproduced courtesy of the John Joseph Moakley Archive & Institute at Suffolk University, Boston, Mass. Rights status is not evaluated. Written permission from the copyright holders is required for reproduction. — Cover of booklet, “Make Congress Stop Bussing” [sic] by Lawrence P. MacDonald, April 1976. Reproduced courtesy of the Moakley Archive & Institute at Suffolk University, Boston, Mass. Rights status is not evaluated. Written permission from the copyright holders is required for reproduction.

Using documents, maps, reports, and photographs from special collections and archives including Boston City Archives, the Northeastern University Archives & Special Collections, the National Archives, Boston, the Moakley Archive and Institute at Suffolk University, and other repositories, Carpenter evaluates Phase I of desegregation. Beginning in September, 1974, the plan, which required that students in the most racially imbalanced schools be bused into schools where the number whites exceeded 50%, provoked heated and hostile reactions in some neighborhoods. The exhibit explores the motivations behind Garrity’s decision and assesses the initial plans for busing.

How did students react to Garrity’s decision to bus them away from their neighborhood schools? How did the decision, and the fear and violence it provoked in some schools, affect teachers? Learn more about the the impact busing had on public education in the next posts. For more background and details on the Racial Imbalance Act, see Connor Anderson’s digital exhibit, highlighted in the last post.

Notes

[1] Muriel Cohen, “Court Denies Balance Appeal Request.” Boston Globe (1960-1985) Feb 15 1974: 3. ProQuest. 13 Feb. 2017

February 11, 2017Heidi Gengenbach No Comments

Divided Schools & Neighborhoods: Students Explore De Facto Segregation In Boston

“Turned Away from School,” Anti-Slavery Almanac, Boston, 1839. Similar to the black child in this image, Sarah Roberts was rejected from an all-white school in Boston in 1848.

On February 15, 1848, Sarah Roberts, a five-year-old African American girl, attempted to enter an all-white grammar school near her home. A white teacher rejected Sarah, based on the color of her skin. Sarah’s father, Benjamin F. Roberts, tried to enroll his daughter in four different schools attended by whites. All were close to their home while the schools designated for black children were located over a half mile away—a long walk for a young child, especially during the bitterly cold, snowy month.

Robert Morris, Esq. may have been the first black male lawyer to file a lawsuit in the U.S. He was also the first black lawyer to win a lawsuit — Robert Morris, Esq., was admitted into the Massachusetts bar in 1847. Two years later, he co-defended Sarah Roberts’ right to attend a public school closer to her home than the schools designated for blacks.

The General School Committee, the group responsible for administering the city’s public schools, rejected each request that Sarah attend a white school. That December, Benjamin Roberts sued the city for damages, on grounds that his daughter was unlawfully denied admission to a public school. Robert Morris, one of the first black lawyers in the US, worked with abolitionist lawyer and politician, Charles Sumner, to represent Sarah in Roberts v. City of Boston. The two argued that Massachusetts law guaranteed equal education regardless of race and that requiring black children to attend separate schools was unconstitutional.

Read the full text of Sumner’s, “Equality Before the Law: Unconstitutionality of Separate Colored Schools in Massachusetts,” 1849 (above) courtesy of the Internet Archive.

Despite their impassioned arguments, Chief Justice Lemuel Shaw found in favor of the city. Defending the actions of the General School Committee, Shaw ruled that a segregated school system did not violate the principle of equality before the law. His decision laid a foundation for the federal doctrine, “separate but equal,” that held that racial segregation did not violate the Fourteenth Amendment.

Five years after the Roberts’ decision, the state of Massachusetts made it illegal to segregate the city’s public schools according to race. Despite that decision, city schools remained heavily segregated through the twentieth century. “Back To Square One: Racial Imbalance in the Boston Public Schools,” an online exhibit designed and curated by Connor Anderson (Archives, 2017), highlights Boston’s long history of de facto segregation in public schools and the role the School Committee played in supported de facto segregation. In this type of system, blacks and whites were separated due to facts or circumstance. But, as the School Committee pointed out to critics, racial separation was not created or imposed by law.

Protest Flier from a resident of Springfield, Massachusetts, to Louise Day Hicks, circa 1974. Courtesy Boston City Archives.

Using a sampling of correspondence, reports, and images from Boston City Archives and Northeastern University Archives & Special Collections, he traces divided opinions surrounding the efforts to achieve racial balance in public schools in the 1960s. Anderson illustrates how reactions to the Racial Imbalance Act split the city.

“Boston Neighborhoods,” an exhibit created by Vini Maranan (General History, 2016) and Paul Fuller (Public History, 2015), explores the unique cultures, communities, and stereotypes surrounding six of Boston’s twelve neighborhoods. In the 1960s and 1970s, economic fluctuations, settlement patterns, and urban renewal programs in Boston reinforced ethnic associations and strengthened a separation of races in many working-class neighborhoods. The de facto segregation of neighborhoods affected the makeup of schools which had become heavily segregated. Maranan and Fuller’s exhibit uses letters and interviews of ordinary citizens to document conditions in schools by neighborhood. Their exhibit also traces neighborhood reactions to Judge W. Arthur Garrity’s ruling that de facto segregation was discriminatory. It examines a sampling of neighborhood reactions to the 1974 order that students be bused away from local schools to achieve a better integration of white and black students.

Learn more about about the implementation of “Phase I” to desegregate Boston Public Schools by busing students away from neighborhoods in the next post.

February 7, 2017Heidi Gengenbach No Comments

Beyond Black & White: Exploring Black History Month

In 1976, former President Gerald Ford officially designated February as Black History Month in the U.S. Part of its purpose involved expanding the national public school curriculum to include the history of black Americans who were omitted from traditional narratives. Despite that noble intent, sometimes, the tendency to showcase important individuals and events during Black History Month can oversimplify complex historical figures and situations, diminish complicated struggles, and lead to a type of segregated history. In 2005, Oscar-winning actor Morgan Freeman called the idea of relegating black history to one month “ridiculous,” stating, in a TV news interview, “Black history is American history.”

The narrative of African Americans’ experiences throughout Boston’s history is diverse and highly complicated. Graduate students in “Transforming Digital Archives and History” have been exploring a critical and controversial time for African Americans and people of all colors and ethnicities in Boston: the desegregation of Boston Public Schools in 1974.

That year, federal judge W. Arthur Garrity ruled that Boston’s public schools suffered from de facto (by fact) segregation and he mandated their immediate integration. Many citizens supported the idea of school integration, but protested the manner in which desegregation was implemented–by busing over 18,000 black and white students away from neighborhoods. Leaders from both the black and white communities challenged the wisdom of busing students between overcrowded, similarly impoverished areas, like the predominantly black neighborhood of Roxbury and the Irish Catholic neighborhood of South Boston, and predicted the pairing would provoke intense fear, hostility, and violence. The decision unleashed a flood of rage and organized protests from both black and white parents for years. Some equated Boston to a war zone during this period, and both blacks and whites committed violent acts.

A number of compelling book and memoirs, including J.Anthony Lukas’s award-winning, Common Ground: A Turbulent Decade in the Lives of Three American Families, and videos have been published on the topic. Each sheds insight into how race, class, ethnic pride, the neighborhood loyalty affected the situation.

But what about the unpublished voices of everyday people? Working within various archives in the city, students are unearthing and reviewing thousands of emotionally-charged letters written to local, state, and federal officials by parents, students, teachers, clergy, activists, and community groups reacting to the decision.

Letter to Mayor Kevin White from an 11-year old student writing to Judge Arthur Garrity to criticize the judge's decision to implement busing as the means of desegregating Boston Public Schools. — Letter to Mayor Kevin White from an 11-year old student writing to Judge Arthur Garrity to criticize the judge’s decision to implement busing as the means of desegregating Boston Public Schools. Courtesy Boston City Archives.

Despite the widespread protests and violent responses to busing, archived letters reveal that the reactions to busing defy easy categorization. Some letters, like that written to Boston’s mayor, Kevin White, by 11-year old student, favored integrated schools but criticized the decision to bus students to schools outside of their neighborhoods. To minimize turmoil, this child (whose name has been redacted) proposed that teachers be bused so kids could remain in their local schools; “maybe then there wouldn’t be any more stabing [sic] & fights.”

Others who opposed busing engaged in violent attacks. In 1976–the same year Black History Month was instituted in the US–Joseph Rakes, a white teenager, lunged at Ted Landsmark, an African American lawyer and civil-rights activist, swinging a pole bearing an American flag. The attack, which occurred outside of Boston’s City Hall, was captured by Boston Herald photographer Stanley Forman.

"The Soiling of Old Glory," by Stanley Forman, 1976. — “The Soiling of Old Glory,” by Stanley Forman, 1976 (Copyright © Stanley Forman, 1976). Image reproduced here courtesy of Stanley Forman, as part of an exhibit in “Stark & Subtle Divisions: A Collaborative History of Segregation in Boston.” Further reproduction is prohibited without prior permission in writing from Stanley Forman.

Rakes’s attack on Landsmark escalated racial violence. Weeks later, two African American teenagers dragged Richard Poleet, a 34-year old white auto mechanic, from his car in Roxbury and beat him to death with paving stones. Community leaders of black and white neighborhoods alike accused the local media of biased and inaccurate reporting. Some criticized that media provoked retaliatory violence by broadcasting incidents of severe beatings and stabbings; at the same time, the local papers downplayed the terror many children faced in school each day.

Interested in learning more about the complicated reaction the decision to integrate Boston Public Schools? Each week over the course of Black History Month, we’ll share findings from online exhibits that graduate students in History at UMass Boston created about this tumultuous era. To learn more about the history of de facto segregation in Boston Public Schools, the link between adulterated meat products and civil rights in Boston, how students and teachers felt about busing, and how this issue transformed local mothers into outspoken activists and politicians, stay tuned!

Sources

Ronald P. Formisano. Boston Against Busing: Race, Class, and Ethnicity in the 1960s and 1970s. University of North Carolina Press (2nd Revised edition), 2004.

J. Anthony Lukas. Common Ground: A Turbulent Decade in the Lives of Three American Families. Vintage Books, 1986.

Michael Patrick MacDonald. All Souls:A Family Story from Southie. Beacon Press, 2007.

Ione Malloy. Southie Won’t Go: A Teacher’s Diary of the Desegregation of South Boston High School. University of Illinois Press, 1986.

Jim Vrabel. A People’s History of the New Boston. University of Massachusetts Press, 2014.

February 4, 2017Heidi Gengenbach No Comments

Students in Archives Awarded for Work

Congratulations to Connor Anderson and Corinne Bermon, the inaugural recipients of the Maureen Melton Endowed Scholarship for the Archives Program in History at UMass Boston!

The newly endowed scholarship was created to support students pursuing a Master of Arts degree in History, specializing in Archives. The benefactor, Maureen Melton, is the Susan Morse Hilles Director of Libraries and Archives and Museum Historian at the Museum of Fine Arts, Boston. A UMass Boston alumna, Melton earned a BA in Political Science (’85) and an MA in History with a specialization in Archives (’90). She studied and trained under Professor Jim O’Toole, former Director of UMass Boston’s Archives Program and current Charles I. Clough Millennium Chair in History at Boston College.

Maureen Melton, Invitation to Art: A History of the MFA, Boston (2009).

In addition to curating exhibits such as “Preserving History, Making History: The MFA, Boston” (2008), Melton authored Art Spaces, Museum of Fine Arts, Boston (2001), an architectural history, and Invitation to Art: A History of the MFA, Boston (2009). Like Melton, both Connor Anderson and Corinne Bermon are diligent, thoughtful, and committed. Each has demonstrated passion for archives and regularly volunteered their time to help local organizations. Both continue to do volunteer processing and outreach work for various causes and are dedicated to promoting the profession.

Anderson, now in his final semester as a graduate student in the Archives Track of the History program at the UMass Boston, hails from Duxbury, MA. In May of 2015, Connor graduated with a B.A. in History from Assumption College in Worcester, MA. While at Assumption, he produced a video in collaboration with Preservation Worcester about the historic significance of the Central Building; an endangered building located in Downtown Worcester.

Connor Anderson at Boston City Archives, 2016. — Connor Anderson working at Boston City Archives, 2016.

Anderson has completed internships at the Boston Branch of the National Archives and Records Administration (NARA), the U.S. Presidential Museum in Worcester, MA, the Boston City Archives, and currently interns at the John F. Kennedy Presidential Library and Museum in the audiovisual archives. In addition, he volunteered at the New England Historic Genealogical Society where he transcribed written documents from the 19th century for digitization on their website. His combined passion for digital archives and history is evident in his recent blog post about his internship experience at the Boston City Archives and his digital project “Back to Square One: The Racial Imbalance Act.”

Connor Anderson (right) with fellow grad student, Ashlie Duarte-Smith, in the staging area of the MacDougall Collection of Popular Culture Materials.

In his final year at UMass Boston, Anderson was awarded a graduate assistantship. He now serves as the president of the History Graduate Student Association and is working on his Capstone Project, processing and producing a finding aid for the MacDougall Collection of Popular Culture Materials, a project of the Center for Humanities and Cultural Studies at UMass-Boston. Anderson expects to graduate with his MA in History, with a concentration in Archives, in May 2017.

Corinne Bermon and Paul Bachand at UMass Boston commencement, 2015.

Like Melton, Corinne Bermon earned a BA from UMass Boston (2009) and, after earning an MA in American Studies from UMass Boston (2015), she returned for graduate studies in history and archives. Her fascination with Progressive Era women’s social activism led her to write a thesis for (her degree in American Studies) that explored Rose Standish Nichols’ work in Boston and transnationally for the women’s peace movement of the early 20th century. For her extensive thesis research, Bermon was awarded the 2015 American Studies Book Prize. While writing her thesis, she enrolled in an archives class and developed a passion for archival work. Her work on a co-designed digital project, “Metropolitan Council for Educational Opportunity (METCO): Solving Racial Imbalance in Boston Public Schools,” led to a temporary position at the Northeastern University Archives. In 2016, earning an MA in History, specializing in Archives, she was awarded a graduate assistantship. While completing her coursework, she currently works in the University Archives and Special Collections at UMass Boston and interns at the John F. Kennedy Presidential Library and Museum.

Corinne Bermon working at the National Park Services archives in Boston.

Recently, Bermon completed an internship in archives with the National Park Service while volunteering at the South End Historical Society. Based on that experience, she is working on a capstone project that explores the lives and work of the Everetts, a middle class family who lived in the South End during the 1850s. Examining extensive correspondence between parents living in the South End with their son, who lived and worked in Calcutta, India, her project promises to provide new perspective into the development of Boston’s South End as well as the social dynamics of the family. Bermon expects to graduate with an MA in History, with a concentration in Archives, in 2017.

Maureen Melton’s generosity in creating this scholarship dedicated to supporting archival studies makes it possible to reward these students for their commitment and hard work. Congratulations, Connor and Corinne!