“Abandoned His Duty”: Uncovering the 1919 Boston Policemen Strike

By Nina Rodwin

In the fall semester, my HIST 600 class had the opportunity to participate in a collaborative project between UMass Boston and the Boston Police Department Archives. We were tasked with documenting the lives of the officers involved in the police strike of 1919. Policemen had demanded a higher yearly salary, adopting the slogan “$200 or nothing” (Puleo, 143). When their demands were ignored, 1,400 police officers walked out. From September 9th to the 11th, Bostonians rioted and reacted violently (often towards the striking officers). President Wilson found the found the strike so disturbing that he described it as a “crime against civilization” (Puleo, 155-156). The police head clearly felt the same, firing all striking officers with no chance of re-employment. The men’s duty cards, which detailed each officer’s employment history, were stamped with a large “abandoned his duty, September 9th 1919.” These duty cards lay in the BPD archives for years, largely forgotten. It was only by chance that a former BPD archivist discovered these cards and was immediately filled with questions: who were these men and what happened to them after the strike?

Image of Hugh P. McGuire’s Duty Card

The scale of the project required collaboration, not only between UMass Boston and the BPD archivists, but also volunteers, the police officers’ descendants, and finally, my own class. While we entered the project in order to learn genealogical research skills, it was gratifying to see that our small contribution helped in a large-scale project. Each student was instructed to pick an officer and fill in vital information into a worksheet. We used public records to uncover these men’s lives, searching through the census, birth and death records, military records and newspapers. To me, the most engaging records were the census records, as they not only reflected a specific officer’s life, but also larger changing trends in America.

Image of Hugh P. McGuire from the 1901 “The Officers and The Men The Stations Without and Within of The Boston Police.” This book’s yearbook format was a great source for photographs of the striking BPD officers.

I choose Hugh P. McGuire, who seemed to have a relatively good life before the strike: he lived in his rented house with his wife and four children and had been on the police force since 1896. However, his whole family was drastically affected by the strike. Just one year later, McGuire was working as a watchman for a lumberyard. His eldest son and daughter, then in their twenties, continued to live in his house. These two children may have stayed home to contribute to family finances, as both were employed. By the 1930 census, it is clear that he was experiencing still more trouble: he was now unemployed, and while his sons seem to have left home, his two daughters remained as the sole breadwinners in his household.

By 1940, Hugh McGuire was 74 years old. According to census records, he was “unable to work.” His eldest daughter, Anna, now 40, continued to care for her parents as a secretary for the Veterans Bureau. As the sole breadwinner, she received a yearly salary of $1,980, which in today’s money ($34,500) would relegate the McGuire family to the lower class. However, this census information has its drawbacks: even though it offers us Anna’s yearly income, we don’t know, if McGuire’s sons contributed to the household, if McGuire received Social Security benefits, or if the McGuire family saved money before Hugh lost his job. In other words, the whole family may have been struggling to make ends meet.

Image from the United States Census, 1940.

The census records also leave out vital information about McGuire’s wife. Was she unemployed because she was fulfilling the stereotypical duties of white women at the time, or did her lack of education (she only completed the further grade) shut her out of the scant opportunities women could obtain? As much as the census can aid researchers, it will never be able to answer these compelling questions, and may often leave researchers with more questions!

Image from the United States Census, 1930. In the “Home Data” section, it asks the family to report if they own a radio set.

While census records offer the bare facts of an individual’s life, they are quite useful to demonstrate large-scale changes in health, education, immigration and even leisure through their questionnaires. For example, in both the 1900 and 1910 census, participants are asked to list the number of children born, as well as the number of children living. This distinction reflected the high child mortality rate during the time; Hugh’s wife was quite lucky that all four of her children survived. However, by the 1920s, efforts to combat childhood diseases increased, and the census no longer included this category. The most amusing category was in 1930s census, which included a category simply titled “radio set” reflecting the growing number of families with radios, including the McGuire family. This category disappeared by the next census in 1940, reflecting both that radio sets were no longer novelties and the assumption that most households owned a radio.

This research was so engaging that I chose to volunteer my time to help the project further. While completing the worksheets of three more policemen, I learned a valuable lesson about genealogical research: researchers should not always trust their internet searches. When attempting to find the birth records for a man named Owen Katon, I was unable to discover his information. It was only with the aid of UMass Boston archivist Joanne Riley that I noticed there had been a transcribing error between the physical documents and the online search results. When I searched for Owen Katon, I had only found one record for “William Katon” and promptly assumed it couldn’t be the correct person. However, Riley taught me an important lesson: never assume that the online search results are always correct. When I actually looked at the scanned records for “William Katon,” I discovered that the records were really for Owen Katon after all! This is not to say that websites are untrustworthy; rather, researchers must be aware of these human errors, and conduct their research accordingly.

The BPD Strike Project still continues, with the goal of completion by the 100th anniversary on September 9th, 2019. If you are looking to improve your genealogical skills, for your own personal or scholarly projects, I strongly I strongly recommend getting involved.

Reference

Puleo, Stephen. Dark Tide: The Great Boston Molasses Flood of 1919. Boston, Mass: Beacon Press, 2004.

Preserving the Past: An Active Internship at the NEDCC

by Rebecca Carpenter

In the fall of 2016, I completed an internship with the Northeast Document Conservation Center (NEDCC) with Frances Harrell and others in Preservation Services.

Screen shot of the NEDCC website.

The NEDCC, founded in 1973, was the first independent Conservation lab in the US dedicated to preservation and conservation of paper and film based materials. Funded by the National Endowment for the Humanities it has grown to encompass Imaging and Audio services as well. With the advent of new technologies, preservation and conservation will become ever more important in the archival world and the NEDCC is leading the way.

19th century college scrapbook
This 19th-century scrapbook contains mixed media and provides complex preservation challenges.

I took a behind the scenes tour of the NEDCC facilities during Professor Morgan’s “Archival Methods and Practices” course. That experience, and my lifelong interest in preservation, led to the opportunity to work with the NEDCC.

Digitization as Digital Preservation?

Since the 1990s libraries, archives, and similar institutions have digitized select special collections materials at an increasing pace. This push occurred partly because technology enabled it. Digitization and the internet brought hidden collections out of the shadows and made them accessible to a much larger audience. This brought with it a host of challenges.

David Joyall, Senior Photographer at NEDCC, using digital photography for preservation.

At what resolution should items be scanned or photographed? What storage should we be using to store digitized materials? What platform is easily accessible to the public? How often should we do fixity checks? Is an internal or external IT department better? How much storage space will we need? What happens to the materials after digitization?

All these questions, and more, became commonplace when talking about digitization. Quickly, archivists began to ask, who could and should create and provide answers and establish best practices? The Library of Congress, Federal Agencies Digitization Guidelines Initiative, and the Smithsonian Institute are some of the bigger institutions and groups that have taken on the task of creating and distributing best practices and guides. These standards are helpful, but often filled with jargon and might not be useful in small- to mid-size institutions who have limited staffing and budget resources. It is with this thought in mind my internship took shape.

The Survey

The main objective of my internship centered on assisting in the creation and distribution of a survey about the present-day digitization and digital preservation practices of small- and mid-size institutions. NEDCC hoped to use the information gleaned from the survey to devise educational classes and webinars on digital preservation and digitization techniques.

I researched and identified state and local institutions to target in the survey.

I worked with the Preservation Services team throughout the entirety of this process. In the first few weeks of my assignment with the NEDCC, much of the time was pulling together a list of possible institutions to target for the survey. Researching each state, I collected information about statewide museum and archive associations to get the information out to as many people as possible. Then, I targeted smaller and specialized institutions, especially those whose focus pertained to minority groups. After targeting individual institutions and statewide institutions, I moved to looking at listservs and social media pages that could be helpful in distributing the survey. In the end, I created a list of over 200 individual email addresses compiled for distribution, along with other 50 listservs and groups.

One of the most important steps was writing clear survey questions and making sure that the answers would give us the information we wanted. I have only made one survey before this project and it was a customer service survey. In a way, being new to preservation, digitization and digital preservation helped me to create questions hat were easy to understand, even for those with limited knowledge of the specifics of digital preservation.

I designed the preservation survey using Survey Monkey.

I designed the survey in SurveyMonkey. This was the most creative part of my internship and I had a good time with it!

The weeks following the opening of the survey became about data analysis. SurveyMonkey has an analysis tool; however, we collected so much odd and individualized data, the results of SurveyMonkey’s analysis were not great. Therefore, my job became attempting to do basic data analysis. Having never done data analysis before, I spent time watching YouTube videos and doing research about how to do data analysis. I found out from this survey how incredibly difficult data analysis is! I was not surprised to find out that the NEDCC previously hired data analysis employees.

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Staffing data from Digitization and Digital Preservation Survey. October 2016.

 

The work with the survey culminated in the presentation at the Preservation and Archiving Special Interest Group (PASIG) conference in New York. I presented with NEDCC’s Frances Harrell. I was very nervous about speaking to such a large group of people but, in the end, our presentation went well by all accounts.

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Frances Harrell of the NEDCC and me after completion of our presentation at PASIG. October 2016.
Preservation Services Work

Along with the survey work, which took up most of the time, I was able to spend time doing other tasks for the preservation services at the NEDCC.

Kiyoshi Imai, Associate Book Conservator, working in NEDCC conservation lab.

One of my favorite tasks that did not directly relate to the survey was reference work. I read and answered questions that came to the Preservation Services email address . This enabled me to do research on preservation and conservation practices. Because of this task, I also spent some time in the conservation lab seeing what they were working on and the techniques they used regularly. This part of my internship I enjoyed more than anything else.

Take-away

The NEDCC Preservation Services team showed me how important preservation is to all collections and how vulnerable almost all collections are.  This internship was informative, educational, and challenging at times. But I thoroughly enjoyed it. I know more fully that preservation and conservation are where my true passion lies.

Putting Public History Into Practice: The Industrial School for Girls

By: Sarah K. Black

When I entered the public history graduate program at UMass Boston, my experience in the field of history was strictly academic. One can only imagine how anxious I felt when I received the syllabus for HST 625, Interpreting History in Public: Approaches to Public History Practice. Under the instruction of Professor Jane Becker and in partnership with Joe Bagley at the Boston City Archaeology Program, my colleagues and I were tasked with uncovering the history of those who lived and worked at the Dorchester Industrial School for Girls (ISFG) during the 1860s and delivering those stories to the public in a way that was both appealing and accessible.

ISFG map
Map depicting the Dorchester Industrial School for Girls, 1889.

The ISFG was established in 1853 by several women who sought to educate and train destitute young girls in the field of domestic service. Once deemed ready by the staff, the girls would be placed in homes to work as servants. Our class was required to connect our biographical sketches with artifacts retrieved during Bagley’s excavation of the site in Summer 2015, and construct a website to ensure our interpretations could reach the widest possible audience. I was extremely intimidated by the project because, unlike writing a paper, we were working with a client (Bagley) and producing a tangible product. Who knew that the ISFG project would become the most exciting, informative, and meaningful experience of my entire academic career.

There were two main phases of the project—the first of which required each of us to conduct extensive biographical research on one staff member and one student. But how do we construct narratives for women who spent much of their lives on the fringes of society? And what does the middle ground of meticulous research and writing for a popular audience look like? These were just a few of the many questions we had to grapple with when we began producing these histories. We had to learn how to effectively weave facts and relevant context into a story that was both informative and accurate, as well as include elements that readers could connect with.

Hasson card
Record of Margaret Hasson, an ISFG student  who later became “inmate #13430” at Bridgewater Almshouse. Courtesy of the Massachusetts State Archives. Photograph by author.

Like several of my classmates, the beginning of my research was defined by countless hours working with genealogy sites and other online resources. Once we made it through the initial frustration of uncovering subjects so elusive in the historical record, we found that each had a unique and captivating story to tell. Some narratives featured immersive details of mischief, international travel, and death, while others concluded with more questions than they started with.

While conducting my research, I was fortunate enough to travel to the American Baptist Historical Society, located at Mercer University in Atlanta. There I found a collection of letters written by the ISFG matron, Mary S. Daüble, while she served as a missionary in India. Whether working as a missionary in India or a matron at multiple institutions, Mary devoted her life to education and religious teachings. After some intensive genealogical investigation, I was able to shed light on Daüble’s life and experiences. I even located a blueprint of her home and added her to my own family tree on ancestry.com.

Blueprint of Mary Daüble's house.
Blueprint of Mary Daüble and her husband’s house. Courtesy of the American Baptist Historical Society.  Photograph by author.

The story of Margaret (Maggie) Hasson was quite different. An Irish orphan who entered the institution at just 8 years old, Maggie found herself placed as a domestic servant in 10 different homes between 1860 and 1864. Mischievous to say the least, she ran away several times and even eloped with an African American Civil War soldier. After a police officer located and returned Hasson to the Industrial School for Girls, the school sent her to the Bridgewater Almshouse.

The second phase of the project was centered on group work. Our class was divided into three groups: website design and introduction, social media and marketing, and annotated transcription the ISFG’s 1860 annual report. As a member of the introduction group, I was responsible for contributing to the overall design of the website and drafting the text for the site’s landing pages.

Screen shot of ISFG website.

Once again, we were met with challenges: How do we create an interface that is both informative yet engaging? How can we stand out against the plethora of webpages that characterize the digital age in which we live? Just as it was difficult to condense hours of biographical research into 1000-word narratives, our team struggled with determining what information was essential for each of the site’s main pages. These sections had to be brief enough to capture and maintain the reader’s interest, but also paint the fullest possible picture of the school, the archaeological dig, and the project.

This experience gave my peers and me the opportunity to develop and improve skills in biographical research and historical interpretation in a digital age. We also learned the value of collaboration—not only with one another, but also with our professor, our client, and other cultural institutions. And finally, the project prompted us to retrieve voices that may have otherwise remained silent, gave us the chance to tell history from the bottom-up, and helped us to see the extraordinary value in uncovering the “ordinary.” The ISFG project proved to be the perfect introduction to turning public history theory into practice.

Sarah K. Black is earning her M.A. in History with a specialization in Public History. She currently also works as an editorial assistant for The New England Quarterly.