Writing for Print and Online Media

UMass Boston || English 307 || Fall 2014 || Prof. Erin Anderson

Tag: audio

Titles! Whoa. (…s w e e t…)

Mystic River

I live in Winter Hill, Somerville. That river is right down my drastically steep street. I know how Whitey Bulger used to haunt this town (and that epic article on WBUR really showed it). The remnants of the dark crimes of a gangster time are rooted into this setting. The title is a setting for a murder (and revenge) with a lot of information that is centered around the local culture. The geography of this area is important to the characters and the plotline. But it is a river. When you look at one, you can still only see the surface.

weareallgoingtoburninhellmegamixxx3

This album title is vastly different from the albums that surround it. Most of the others are made of two succinct words with a lot of sonic color. (Earlier titles: Fantastic Damage, The Cold Vein.) This is an instrumental remixed beat album. Everything on it is chaotic. The beat themes never last very long, but they run into each other. El-P is a pretty intense emcee, and this beat album is likewise intense. Fiery, even.

Anchorman

This title tells me nothing about Ron Burgundy…except that he is a man. It is an unlikely job position to come up in current conversation, but it’s not saying it’s funny. It doesn’t say anything about his mustache. Or his elocution exercises. It tells us nothing about his intimate affairs or anything about a romance. It definitely does not tell us that he’s a “glass case of emotion”. Ron will tell us that. He’d also tell us to stay classy!

Audio Feature!

Jad Abumrad

JadAbumrad.com

The brief Bio is the main page on an iPad, but on a laptop computer, the first page is the subject’s name spelled out in floating pixel pieces on a white screen. Shows statistics about his show. First person speech. There is a cartoon of Jad Abumrad, the creator of a radio program called Radiolab. There is a Twitter feed on bottom with photos. The layout is very plain with very few graphic. Monochromatic, barely washed out.

Subpages are along the top:

Bio   Music   Radio   Speaking   Press   Contact

All the subpages are introduced with casual language
Music page: Soundcloud links, descriptions underneath them, scrolling screen in center of page, top bar remains static throughout

Radio page: embedded links to Radiolab full episodes with descriptions

Speaking: Tour schedule, font crossed out for events that have already taken place, gives a feeling of impermanence, or “catch-it-while-you-can”

Page is open to exploration. Every piece of creative product is easy to access. All the small descriptions frame the pieces of the website in a way that is inviting to the audience.
This site is professional and playful, which I hope to emulate soon.

 

 photo

Storytelling: Kindness of Strangers

The piece begins with Ira Glass introducing the storyteller, who in turn introduces the story to the listener.

The way this episode uses music to convey parts of the story seems to reinforce certain details and emotions. At the beginning (45:35), we can hear “fairytales come true, it can happen to you…”. Later (46:00), the music cuts in to the narration with the line “you will go to extremes, with impossible schemes…”, which sets up the story.

Most of this work is narrated, but pieces of an interview with Nick Drakides are woven in. All of the interview segments are anecdotal. The first anecdote of the first performance occurs at about 49 minutes. Next, at 54:03, Nick tells the anecdote about the way the police officers acted the first, second, and third week of the show. Finally, at 55:10, Nick says a few words about how he was hugged by a stranger who enjoyed his performance.

I like the use of ambient sounds in this piece as well. They can give the listener a better idea of what is happening around the scene. I like the sound of Nick’s vocals throughout the piece because I can tell that his microphone is connected to a PA speaker. In other words, I can hear that it isn’t a studio recording. Aside from that, at 47:10 the sound of tap dancing on the wooden board accompanies a description of a tap dance.

Finally, I like how at 57:50, after the storyteller finishes his tale, Ira Glass mentions the program’s boss, imitates him, then plays a recorded quote from him, which gives the listener an awareness of the story of the story’s production.

Blog Post #3: Stories in Sound

Using Ira Glass’s principles of  storytelling as a starting point, choose one of the three assigned audio features and write a brief analysis of how the story is put together and why it works. Break the story down into its component parts—interviews, scripted narration, music, ambient sound, etc.—and consider how these pieces work together to produce a story that is worth listening to. Point to specific moments and strategies that illustrate your ideas and cite the timecode for reference. Identify at least one thing that you can take away from this story and apply to your own audio feature.

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