September 13, 2016
by Ryan
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I have never posted on a blog before. Bout to pop the blog cherry. I know it should be at least 250 words, but I don’t know what the average length should be. I had conflicting feelings about the narrative and I am sure my post will differ from others, but I hope this is ok.
The narration in “The Cheater’s Guide to Love” is an unfiltered, brazen, and everlasting trough through a five year period of a man’s life. The narration is in second person and is distinctively compact with crudeness. For the first time reader the story alludes and even ushers readers to an eventual reconciliation between the troubled couple, and by doing so, consequently, veils the identity of the narrator with an aura of ambiguity. And for the reader with the wandering imagination the narration may be done by the “ex” who, maybe, has since returned to be with the man, and the man having subsequently told his “ex” about the events during the interim of her presence. And as a result, the bluntness and cruelty in the narration would be from her hurt. Or, alternatively, the narration could be done by the man, who is frustrated with his own limitations. But as for the actual narrative, the majority of it gives the impression of reliability, but instills some hesitation because it at times seems too painfully candid and as a result the narration seems tainted by the reverberation of the hate or hurt established earlier in the story. The narration is further clouded in the tainted moments by the unanswered question of who the narration is coming from because depending on the source the interpretation of those moments differs vastly. During the initial description of the situational structure, in which the rest of the story is repercussive of, the protagonist is immediately shown to be a serial and habitual cheater. The abridged description of the acts of unfaithfulness from the narrator does implicitly portray those acts as too painful to explore in depth, which could be why the narrator quickly transitions to the consequences of said actions. The narration gives the protagonist a characterization of selfishness and total ambivalence towards his “ex”. This characterization of the protagonist is in sharp contrasts the narrator comments of hurt or remorse shown a few line lather with the repetitious statements “you swore you wouldn’t. You swore you wouldn’t. You swore you wouldn’t.” Sequentially, these sentiments of remorse seem out of place for the main protagonist who had no previous hesitation or ill feelings when betraying his fiance on countless occasions. The “ex”, in turn, is characterized as fiery and caring. She is shown to be fiery, or a “badass” as the narrator refers to her, from the narrator stating the warning she gave to the man about cheating when they first were together, “I’ll put a machete in you.” But she is shown in a more compassionate light when the narrator demonstrates her deep seeded love for the man by acknowledging her initial resistance to leave the man even after the devastating realization he had cheated with enough women to have had a single affair in every state of the US. The narrator’s use of vulgar language when trying to list off the gripes the man had with his “ex”, seems artificially constructed, almost as if the narrator doesn’t want you to believe them. The derogatory foreign language usage from the narrator could be demonstrative of the man’s attempts to demonstrate the meaninglessness of the other women he cheated with, or to convey and agree with the hate the “ex” harbored for those women. As the story distances itself from the beginning, or the cheating, both in time and in women, the narrative becomes more subtle. The narrative becomes quietly callus. The duality presented here is this transition could depict the ex’s narrative tone lightening because she was no longer describing a period of devastation, or it could be the man moving on from her and concurrently aging. The narrative description of the subsequent women to enter the man’s life are mostly carnal in nature with a demeaning and derogatory tone. The reasoning for this description of women by the narrator, is again at this time unclear in nature, because if the man were to be giving the narration the description of women would be fitting of the pattern of treatment the man has demonstrated towards women throughout the story. Or, conversely, the description could stem from the jealously the “ex” feels, who, subtly and now securely, conveys a veiled or muffled resentment through her narration of the time the man spent with these women. And with every introduction of a new woman, the narrator always references the “ex”, like a unit of measurement to compare the other women too. These references could be the narrative of a woe stricken man feeling like he lost the “one”, or may be a bit of a self-serving narrative from the “ex” who just wants to remind the readers that she is better than all of them. But it wasn’t until the end of the story that the narrator’s identity was explicitly revealed to be the man and the narrative puzzle pieces fell into place. And at the end of the story the narrator also addresses and crushes the imbedded and intrinsic hope of reconciliation by saying for cheaters “sometimes a start is all we ever get.”