Irish Stories and Tunes Enliven the Archives on March 14th

Along with exhibits, refreshments and illustrated lectures, the UASC gala “Calling the Heart Back Home: Irish-American Stories from the Archives” will feature storyteller Norah Dooley and harpist Susan Miron in a modern re-working of the bardic tradition, combining music and stories to wonderful effect.

The duo is called “The Bard’s Feast” and describes its performances in this way:

In ancient times the bards were not female and not a duo but together we are the The Bard’s Feast. Inspired by the tradition, we are “bringing ‘bardic’ back”, to paraphrase Justin Timberlake.

A Bard’s Feast program combines Irish tunes, many from the repertoire of 18th century blind harper, Turlough O’Carolan, with legend, myth and folktales from the vast store of Irish whimsy and tradition. Stories are timeless and living things. Our nontraditional versions of these tales are more products of the storyteller’s seething brain than staid scholarly research.  Leprechauns, the sidhe (fairy people) common folk, heroes and star crossed lovers manifest in the glory of spoken word, entrancing harp and enchanting words.

For the March 14 event at UMass Boston, The Bard’s Feast will present two lively stories: Egg Girl and the Leprechaun, drawn from the traditional repertoire, and Transported – Driving with the Ancestors, more recently minted from Norah’s personal and family history.

Visit The Bard’s Feast website for more information about the bardic tradition, harps, storytelling and more.  And do plan to join us on Wednesday evening, March 14th at UMass Boston.

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